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Showing posts from January, 2022

Bombal's 'The Shrouded Woman'

  "But now, now that I am dead, it occurs to me that possibly all men once in their lifetime long to make some great renunciation; to sacrifice something vital; to tear to pieces a butterfly, in order to feel themselves masters of their own destiny." The above quote stood out the most while reading Bombal's novel,  The Shrouded Woman . Something about the unique narration of this novel made every line that much more poignant, given that our narrator was dead. It was almost as if she refused to pass without imparting whatever wisdom she could to anyone willing to hear her. Bombal's use of visual imagery was balanced and evocative. As I read, I did feel like I was witnessing the scenes as they played out. I enjoyed her descriptions of the characters and their personalities and what they meant to Ana Maria.  Additionally, I found the dramatics of the novel very intriguing. The feuds, infidelity, and familial bonds of the characters were explored very intricately for a re

Aragon's 'Paris Peasant'

  Paris Peasant was an unexpected read, to say the least. The first thing that caught my attention was Aragon's use of descriptive language. I've never particularly enjoyed excessive description, so I did find it kind of challenging to read certain portions of the book.  However, the irregular structure of the text was fascinating to discover. It was interesting to see the paragraphs broken up by newspaper articles, pictures, and municipality warnings. As stated in the video lecture, the retention of the original fonts and motifs in the book adds a layer of authenticity and charm. This makes readers feel as if they are exploring the city of Paris with the narrator.  Additionally, I found the blurring of the lines between reality and imagination intriguing. It would catch me completely off-guard - the sentence would start off as a description of a real place or person and end with a fantastical twist. In this sense, I truly do believe that Aragon was able to craft a wonderful su

Proust's 'Combray'

I dived into Proust's Combray completely unaware of what to expect. The first thing that caught my attention was the language. It was very descriptive, thus allowing me to envision every room and meal as the narrator experienced it. Secondly, I noticed the stream of consciousness that the narrator seemed to be traveling along while narrating. What started in a room with an insight into the intricacies of sleep and wakefulness turned into a formative childhood memory. This form of writing intrigued me immensely because of how naturally it flowed. I almost did not notice the transition until I read about the narrator's next idea! I must confess that I did get a little bit confused when the narrator switched to talking about his childhood experience from his ideologies as an adult. However, once I picked up on the difference I was able to enjoy the innocence with which the child craved to be with his mother. As seen in the scene below, Proust's description of the raw emotion

Introductory Post

Hi, everyone!  My name is Devanshi, and I am a first-year student intending to major in Psychology. Although I was born in Mumbai, I have lived in Dubai my whole life. I am super excited to be a part of this course this semester and learn something new! I've always enjoyed studying literature and analyzing texts but it has always been limited to English texts. I look forward to broadening my understanding of literature by exploring texts from authors of varying backgrounds and different parts of the world. I am also curious to see how common themes such as society and family are portrayed uniquely in each text.  To be perfectly honest, I have not heard of any of these authors but this makes the idea of this course more interesting! I love having something new to explore in terms of literature and am glad to be discovering works outside of my comfort zone. It's almost like being introduced to a new culture.  I had a very different idea of what Romance studies would entail as I w